New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
New Theatre Quarterly shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.
The featured articles in the latest issue include:
- 'Mapping Realities: Representing War through Affective Place Making' by Michael Balfour
- 'Clubbing Audiences: Relational Theatre Practice at Death Disco' by David Overend
Reproduced courtesy of Cambridge University Press.
For further information, please contact Vicky Westmore at press@cambridge.org
____________________________________________________